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And hopelessness with sombre. Strains by Leonard Cohen. Their greatest ambition is.

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To shake the shackles of shame. Which imprison and threaten. Them with the most undignified. Fate of all : namelessness. To some there is no irony in death,. But others are enraged at the. Uncanny plight of these handsome. Living dead, whose only crime was. Need for love and recognition. I shall fall off the cliff. So sweet. Are your suggested promises. My stranger. My unobtainable. Moment of passion. You coax me ;. You cast me aside.

We can only have each other. In our leap-frog dreams :. Both out-of-sync and yet. Totally — oh so totally In syncopation. The relentless fantasy is more. Individual parts. I see you everywhere ;. In the gait of strangers In my memories. Beginning from the. Waist down Easing toward the toes. And then quickly. Darting upwards.

Petit Poulet

To a fleeting and. Photographic flash. Of your insignificant face. My passion. My stranger Albert Russo. Adam Donaldson Powell. Notre danse est un rituel ;. Entre deux papillons de nuit. Jouant avec le feu. Juste une attache Y muero. Y ahora. Unas palabras perdidas. La lluvia oculta. Sin rostro.

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Despierto y descubro. Que baten. Ventanas con grietas. La lluvia ha parado. Bajo el cielo desnudo. La vieja pintura se descolora. Hasta olvidar. Antes de la muerte de mi amor. The Benevolent American in the Heart of Darkness. Eric Tessier. Mixed Blood or Your son Leopold is a non-stop, gripping read! Edmund White. One scene shows him metaphorically crucified at the hands of his never satisfied lover, who is also, by the way, everyone else's, Damiana Antoniades, the Great Whore of Bujumbura.

Albert Russo raises then the ultimate question of the effect of colonialism, a political system in which humaneness love, tolerance and delight in natural beauty is eventually dissolved into the disheartening racial equality of greed, contempt and murder. Norway to Spitzberg. Norway to Spitzberg - pages photos: Albert Russo - Blurb. Rainbow Nature.

Italia Nostra. He is a handsome young man of extensive means, the only heir of a garment industry fortune, who has sailed smoothly through an easy life in an exclusive area of Paris, and, besides, can boast of two unmistakable assets on the threshold of adult life in bourgeois Paris: a lovely girl-friend and a degree in computer science.

But one day, Frank finds some letters of his father's, written to a male lover, and an old photograph of his father and the man. Then, Frank's steady comfortable life topples down. The discovery takes place on page 1; Albert Russo then offers us a few lines of doubt and half-hearted hesitation, and straight after, launches into a cat and mouse game with his readers, often bordering on farce or caricature, but always subtly beside or beyond them. Trying to summarize the rest of the plot would be too long and no doubt pointless; two examples of unexpected and incongruous situations will suffice.

He follows him into a Paris department store, where the two indulge in a mutual game of seduction, in which Eric, the older man, acts the sales clerk, piles trendy clothes onto Frank and leaves him with his business card and the bill to pay! Much later in the novel Frank's mother poisons her husband in a scene fraught with sensuousness and malaise around a feast of Mr Russo loves unsettling us, verging on the caricature or the burlesque, but never quite giving way to them.

In the homorous affair which develops, Albert Russo manages to show us Frank's predicament. The young man is neither gay nor straight but simply looking for someone other than the man or woman he holds in his arms, the father he could not love because of his mother's overbearingness or the mother he could not love either because loving her meant giving himself up. Your novel carried me along by the strength of its plot and characters.

Incidents were resolved by the sense of inevitability that you managed to convey. I wondered about the close of the novel, where the characters and outcome are dismissed in two brief sentences. And yet even that "works. Freed but broken.


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His is but an appearance of freedom, for the society he now faces is fraught with malice and prejudice. Can a homosexual ever redeem himself? In spite of the new laws, recognizing the basic rights of gays and lesbians in France, the age-old debate between the implicit legitimacy of heterosexuality and the socially fuzzy status of the homosexual, goes on. The reactions may be subtler in certain quarters, yet brutality is never far away and gay bashers are on the prowl, and not only in the provinces.

Then too, there are some disturbing statistics: four times as many gay adolescents attempt suicide as young heterosexuals. There will always be, it seems, a certain malaise, if not outright intolerance, within the family, in schools, as well as at the workplace, towards homosexuals, especially if they have had the courage of coming out. One cannot cancel two thousand years of religious taboo in one or even two generations. This change of setting is like a survival kit. In his new surroundings, he will breathe a different air, make new discoveries, face new people, learn to speak another language.

All this will help put some balm over his wounds, if not regenerate him. This is not to say that his pain has been erased, its memory will always linger in the back of his mind, but his new Roman preoccupations will act as a sort of catharsis. He is thrust upon the proscenium of Italian life, when not upon the stage itself, with the feeling that he can be part of that long and uninterrupted history which stretches from Petronius to Fellini and now to Roberto Begnini. The erotic romps which Albert Russo describes with a rare verve and indeed voltairian buoyancy, using a language at once raw and sensual, never vulgar, inflame the senses of his protagonists, reigniting dormant passions while at the same time, turning around the tables and casting new roles.

The sky is falling! Comment le sais-tu? How do you know? It must be true! Petit Poulet et Pauline la poule courent alors ensemble sur la route vers le marais. Chicken Little and the Pauline the hen then run together down the road towards the pond. En arrivant au marais, ils rencontrent Carine la cane.

Elle est en train de se baigner.

À même la peau (Fear Nothing)

Pourquoi avez-vous si peur? Comment le savez-vous? Alors Petit Poulet, Pauline la poule et Carine la cane courent ensemble sur la route vers la ferme. So Chicken Little, Pauline the hen, and Carine the duck run together on the road towards the farm. When they reach the farm they meet Louise the goose. She is reading poems for Roger the pigeon. Let's go!


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And Chicken Little, Pauline the hen, Carine the duck, Louise the goose and Roger the pigeon run together down the road towards the town. Well then it must be true! Follow me! Au sommet de la colline il y a une grande grotte sombre. At the top of the hill there is a big, dark cave. Le ciel ne nous tombera pas dessus ici.

3 VRAIES HISTOIRES TERRIFIANTES...

Come in! The sky won't fall on us here. We are safe.

On en parle

Le lendemain matin, Petit Poulet et ses amis ont disparu. La grotte est vide. The next morning, Chicken Little Little and his friends have disappeared. The cave is empty. Nous ne le savons pas vraiment. Il a le ventre bien gros et bien rond. Where did they go? He has a very big and very round belly. And he sits under a tree, gets his laptop, and begins to write again. Sign up for our free weekly ish newsletter and we'll find great French tools and resources from around the web, and deliver them straight to your inbox.

It's free! Petit Poulet Chicken Little.